Friday, January 1, 2010

A Stitch in Pine

Piece: A Stitch in Pine, a Hillside Samplings designer Lesley Rudnicki (no date but had to be 1996 or later).

Fabric: Desert, a hand – painted specialty fabric by Crossed Wing Collection (sxwing@gmailcom. www. crossed 12 x13". There was not enough fabric to front mat it so it was framed in sampler style with no matting on the front, but a copper metallic burnished mat backing it. It was non-acidic. The backmat was used to show thru the pulled worked of this type of linen (28 count). Crossed Wing says that that each piece is hand painted with a fabric dye rather than immersion in a dye. First, the fabric is washed in a special detergent to remove sizing, soaked in an activator to help it better take the dye, then laid out flat and painted, carefully blending several colors to achieve a subtle mottling. Then it is cured for 24 to 48 hours, after which it is washed and rinsed several times to remove excess dye, making it color fast. After drying and pressing it, is ready for your needle and thread and your imagination. (Ph: (715-258-5915 e-mail


Weeks Dye Works--Dried thyme (0110) and Collards (1277)
Simply Shaker Sampler Threads--Walnut 7029
My initials were done in DMC Precious Metal Effects (#301) - 2 plys stripped from the strand.

Notes: I did not use the threads or fabric called for in the pattern. My friend Janet, did this pattern, too. However, she used a softer even weave mint fabric with sparklies in it with more hunter green type fibers and did not pull the stitches. I chose to give it more of an antiqued look. My fabric was an uneven linen, that was perfect for a pulled technique. My threads have an olive type theme. The button that is shown in the model was no longer available, so I had to create my own tree as a spaceholder.

I also chose to frame this in traditional style of not using a front matting. But untraditionally, I used a burnished copper back mat, hoping that it would show through the pulled horizontal band in the center. But it really didn’t show up very much. I also used non glare museum conservation glass to protect it, but used a spacer to reduce the chance of it mildewing.

Unfortunately, the framer did not follow my directions and had written incorrect dimensions on the work order and I signed off on it. There margins are not consistent on all four sides . My fault, I should have measured it myself and given her the frame measurements. I think I’m going to start framing my own stuff. They also put a sawtooth hanger on the back instead of the D-hinges and a wire that I had requested. They did wind up correcting this for me though. After I complained, they said that they couldn’t do the actual re-framing over because it would take a different size frame (it would) and over because they had trimmed it (it was supposed to be laced, which it was not and I am really ticked about this). I am just glad that I did not spend months on this project. Friends, this is an opportunity to live and learn from my mistakes. Hope you all have a healthy and prosperous 2010 – Happy New Year!


  1. Hi Nancy, how are you? Beautiful stitching - I have this chart too. I'm now in sw Michigan, the man got a new job!

  2. OOh...I love this design. I might have to stitch it up myself. You've done a great job.
    Happy Stitching,

  3. very charming piece, love how the trees are done in different stitches.

  4. It's amazing how different ours look from the same simple design. You keep such good records of everything- I can't even remember the name of the design, and you have everything listed here! So when are you ready for the next challenge?